HYBE Enters The Global Concert Market As One Of The “Big 4”

HYBE has entered the ranks of the “Big 4” in the global concert market.

According to Billboard‘s recently released “2025 Boxscore Year-End Report,” HYBE recorded tour revenues of $469.2 million over the past year (October 1, 2024 – September 30, 2025, same period hereafter), ranking 4th in the “Top Promoters” category. This is a rise of five positions compared to the previous year.

This growth was supported by the activities of HYBE Music Group label artists. Among the four K-pop artists featured in the annual “Top Tours” ranking, three belong to HYBE Music Group labels. Leading artists such as BTS‘s J-Hope, SEVENTEEN, and ENHYPEN, along with BTS’s Jin, TXT, LE SSERAFIM, BOYNEXTDOOR, and &TEAM, held a combined total of 213 concerts, drawing an audience of approximately 3.3 million.

Notably, SEVENTEEN (Pledis Entertainment) successfully completed a large-scale world tour, including stadium shows in North America, attracting about 964,000 attendees. Their tour revenue reached $142.4 million. Currently, their SEVENTEEN WORLD TOUR [NEW_] is ongoing with 29 shows across 14 cities worldwide.

J-Hope (Big Hit Music) demonstrated a powerful presence with his first solo tour HOPE ON THE STAGE. His tour, held in major cities worldwide including Los Angeles’ BMO Stadium, attracted over 500,000 fans and generated approximately $80 million in revenue.

ENHYPEN (Belift Lab) grossed $76.1 million from 25 shows. In addition to sold-out performances in the U.S. and Europe, they achieved milestones by performing at Tokyo’s Ajinomoto Stadium and Osaka’s Yanmar Stadium. They are recognized as a firmly established global top tour artist just five years after their debut.

HYBE stated, “Our ‘Multi-home, Multi-genre’ strategy, which centers on artist creativity and fan experience, is proving to be a competitive advantage in the global market. We will continue to present outstanding performances by various label artists to inspire fans and create a new growth model for the music industry.

Source: OSEN
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