10 Most Popular Songs Of 2025 In South Korea, Based On Prestigious Poll
Gallup Korea’s annual year-end poll offers a snapshot of which songs truly resonated with the Korean public over the past year. From global K-pop stars to unexpected chart climbers, the results reflect a wide range of sounds and artists that left a strong impression.
1. BLACKPINK’s Jump
Taking the top spot, “Jump” stood out as the most recognized song of the year among Koreans in their 30s and under. The track reinforced BLACKPINK’s lasting influence on both charts and public opinion.
2. Rosé & Bruno Mars’s “APT.”
The mega-hit carried its insane success even in 2025, ranking second. The BLACKPINK members continue to show off their popularity not only as a group but also individually.
3. Hang Karam’s “I’m Firefly”
“I’m Firefly” became a quiet favorite, growing steadily through word of mouth. Its emotional delivery helped it rank among the year’s most memorable songs.
4. G-Dragon’s “POWER’
G-Dragon’s return with “POWER” drew attention for its confident message and distinct style. The song reminded listeners of his unique presence in K-pop.
5. Jennie’s “like JENNIE”
“Like JENNIE” highlighted Jennie’s self-assured image as a solo artist. The track gained viral recognition for its powerful and catchy approach.
6. ZO ZAZZ’s “Don’t you know”
ZO ZAZZ’s song earned its place through consistent public interest rather than heavy promotion. Its melody and mood made it easy for listeners to revisit.
7. KPop Demon Hunters “Golden”
Even though it topped the charts almost every where in the world, “Golden” only managed to grasp seventh spot among those in their 30s and under.
8. IVE’s “XOXZ”
IVE’s “XOXZ” maintained the group’s strong track record with the general public. It seems like many feel as though song fit well with their established sound.
9. IU’s “Bye Summer”
There could never be a Gallup Korea end of year poll without IU’s presence in it. This year, the legendary singer managed ninth place.
10. Aespa’s “Rich Man”
Closing out the top 10, “Rich Man” added another notable entry to aespa’s growing catalog. Even though it hasn’t been their most successful release, the track still attracted enough attention from Koreans in their 30s and under.
